| Type | work | bureau |
|---|
| Year / years | 1990 | Unrecorded |
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| Place | Florida, Florida, United States | Zürich, Switzerland |
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| Place context | Florida, Florida, United States | Representative site: Santa Cruz de Tenerife, Santa Cruz de Tenerife, Spain |
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| Climate | 24°C · 13.0h daylight · 23 km/h wind | 25°C · 13.0h daylight · 4 km/h wind · via Tenerife Espacio de las Artes |
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| Focus | Performance venue | 6 works in corpus |
|---|
| Architects | | - Herzog & de Meuron
- Jacques Herzog
- Pierre de Meuron
|
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| Linked context | Bureaus - Michael Graves Architecture & Design
| Notable works - Tenerife Espacio de las Artes
- Tate Modern
- Beirut Terraces
- Elbphilharmonie
|
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| Typologies | - performance venue
- hospitality
| - house
- performance venue
- museum
- adaptive reuse
- cultural building
- housing
- residential tower
- high-rise
|
|---|
| Materials | | - brick
- steel
- glass
- concrete
- stone
- wood
|
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| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Concrete, Steel, and Brick look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 3 of 4 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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