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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

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Vilamajo House Museum in Montevideo, Uruguay

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Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

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Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

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Comparison

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Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Herzog & de MeuronHerzog & de Meuron

Zürich, Switzerland

Typeworkbureau
Year / years1930Unrecorded
PlaceMontevideo, Montevideo Department, UruguayZürich, Switzerland
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Santa Cruz de Tenerife, Santa Cruz de Tenerife, Spain
Climate20°C · 11.0h daylight · 11 km/h wind23°C · 13.0h daylight · 7 km/h wind · via Tenerife Espacio de las Artes
FocusHouse museum6 works in corpus
Architects
  • Julio Vilamajo
  • Herzog & de Meuron
  • Jacques Herzog
  • Pierre de Meuron
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Tenerife Espacio de las Artes
  • Tate Modern
  • Beirut Terraces
  • Elbphilharmonie
Typologies
  • house
  • museum
  • residence
  • house
  • performance venue
  • museum
  • adaptive reuse
  • cultural building
  • housing
  • residential tower
  • high-rise
Materials
  • masonry
  • stucco
  • timber
  • brick
  • steel
  • glass
  • concrete
  • stone
  • wood
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Concrete, Steel, and Brick look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Steel
  • Brick
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
AccessibilityPublicly accessible3 of 4 recorded works are publicly accessible
Related books

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