| Type | work | bureau |
|---|
| Year / years | 1944 | 1978 |
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| Place | Malmö Municipality, Malmö Municipality, Sweden | Basel, Basel-Stadt, Switzerland |
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| Place context | Östra Rönneholmsvägen, Teatern, Malmö, Sverige | Representative site: Bankside, Southwark, Greater London, England, United Kingdom |
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| Climate | 13°C · 14.2h daylight · 8 km/h wind | 17°C · 13.9h daylight · 22 km/h wind · via Tate Modern |
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| Focus | House | 3 works in corpus |
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| Architects | | - Jacques Herzog
- Pierre de Meuron
|
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| Linked context | Bureaus | Notable works - Tate Modern
- Beirut Terraces
- Elbphilharmonie
|
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| Typologies | | - museum
- adaptive reuse
- cultural building
- housing
- residential tower
- high-rise
- concert hall
|
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| Materials | Not recorded yet. | - brick
- steel
- glass
- concrete
- stone
|
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| Carbon signals | house and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Steel, and Brick look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 2 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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