| Type | work | bureau |
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| Year / years | 1980 | 1978 |
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| Place | Ried-Brig, Ried-Brig, Switzerland | Basel, Basel-Stadt, Switzerland |
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| Place context | Ganterhöhenweg, Ried-Brig, Valais/Wallis, Schweiz/Suisse/Svizzera/Svizra | Representative site: Bankside, Southwark, Greater London, England, United Kingdom |
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| Climate | 7°C · 13.4h daylight · 9 km/h wind | 9°C · 13.7h daylight · 16 km/h wind · via Tate Modern |
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| Focus | Architecture | 2 works in corpus |
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| Architects | | - Jacques Herzog
- Pierre de Meuron
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| Linked context | Bureaus | Notable works - Tate Modern
- Elbphilharmonie
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| Typologies | | - museum
- adaptive reuse
- cultural building
- concert hall
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| Materials | | |
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| Carbon signals | Concrete look like the main embodied-carbon drivers in the current palette. | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
| - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
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| Accessibility | Access not recorded | 2 of 2 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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