| Type | work | bureau |
|---|
| Year / years | 1960 | 1978 |
|---|
| Place | Zurich, Zurich, Switzerland | Basel, Basel-Stadt, Switzerland |
|---|
| Place context | Zollikerstrasse, Kreis 8, Zürich, Zürich, Schweiz/Suisse/Svizzera/Svizra | Representative site: Bankside, Southwark, Greater London, England, United Kingdom |
|---|
| Climate | 19°C · 13.4h daylight · 11 km/h wind | 11°C · 13.6h daylight · 21 km/h wind · via Tate Modern |
|---|
| Focus | Museum | 2 works in corpus |
|---|
| Architects | | - Jacques Herzog
- Pierre de Meuron
|
|---|
| Linked context | Bureaus - David Chipperfield Architects
| Notable works - Tate Modern
- Elbphilharmonie
|
|---|
| Typologies | | - museum
- adaptive reuse
- cultural building
- concert hall
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
|---|
| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|