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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Wingspread in Wind Point, United States
Wingspread

1936 · Wind Point, Wind Point, United States

Wingspread image

Historic house in Wind Point, Wisconsin

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Wingspread

Wind Point, Wind Point, United States · Exact work coordinates

OpenStreetMap
Field
WingspreadWingspread

1936 · Wind Point, Wind Point, United States

Herbert BakerHerbert Baker

1892 · London, England, United Kingdom

Typeworkbureau
Year / years19361892
PlaceWind Point, Wind Point, United StatesLondon, England, United Kingdom
Place contextWind Point, Wind Point, United StatesRepresentative site: Cape Town, Cape Town, South Africa
Climate8°C · 13.5h daylight · 17 km/h wind15°C · 11.2h daylight · 17 km/h wind · via Houses of Parliament, Cape Town
FocusHouse43 works in corpus
Architects
  • Frank Lloyd Wright
  • Herbert Baker
Linked context

Bureaus

  • Frank Lloyd Wright Foundation

Notable works

  • Houses of Parliament, Cape Town
  • St. George's Cathedral, Cape Town
  • State House, Nairobi
  • St Boniface Church, Germiston
Typologies
  • house
  • performance venue
  • housing
  • house
  • office
  • civic building
  • church
  • sacred space
  • cathedral
  • chapel
Materials

Not recorded yet.

  • timber
  • brick
  • stone
Carbon signals

house and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Brick and Stone look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible14 of 14 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.