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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Makuhari Messe in Nakase, Japan
Makuhari Messe

1986 · Nakase, Nakase, Japan

Makuhari Messe image

Japanese convention center in the Mihama-ku of Chiba city

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Makuhari Messe

Nakase, Nakase, Japan · Exact work coordinates

OpenStreetMap
Field
Makuhari MesseMakuhari Messe

1986 · Nakase, Nakase, Japan

Heneghan Peng ArchitectsHeneghan Peng Architects

1999 · Dublin, Leinster, Ireland

Typeworkbureau
Year / years19861999
PlaceNakase, Nakase, JapanDublin, Leinster, Ireland
Place contextNakase, Nakase, JapanRepresentative site: Giza, Giza Governorate, Egypt
Climate16°C · 13.3h daylight · 11 km/h wind17°C · 13.0h daylight · 9 km/h wind · via Grand Egyptian Museum
FocusArchitecture1 works in corpus
Architects
  • Fumihiko Maki
  • Roisin Heneghan
Linked context

Bureaus

  • Maki and Associates

Notable works

  • Grand Egyptian Museum
Typologies
  • building
  • museum
  • archaeological museum
  • cultural building
Materials

Not recorded yet.

  • stone
  • glass
  • concrete
Carbon signals

building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityAccess not recorded1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.