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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

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The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay

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Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

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Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

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Comparison

Field
Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Harry Seidler & AssociatesHarry Seidler & Associates

1950 · Sydney, New South Wales, Australia

Typeworkbureau
Year / years19301950
PlaceMontevideo, Montevideo Department, UruguaySydney, New South Wales, Australia
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Wahroonga, New South Wales, Australia
Climate19°C · 11.0h daylight · 12 km/h wind21°C · 11.1h daylight · 15 km/h wind · via Rose Seidler House
FocusHouse museum5 works in corpus
Architects
  • Julio Vilamajo
  • Harry Seidler
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Rose Seidler House
  • Australia Square
  • Harry and Penelope Seidler House
  • 25 Martin Place
Typologies
  • house
  • museum
  • residence
  • house
  • museum
  • residence
  • tower
  • office
  • mixed-use
  • housing
Materials
  • masonry
  • stucco
  • timber
  • glass
  • steel
  • concrete
  • timber
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Steel
  • Glass
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

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