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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

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The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay

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Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

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Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

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Comparison

Field
Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Guðjón SamúelssonGuðjón Samúelsson

1919-1950 · Reykjavik, Capital Region, Iceland

Typeworkbureau
Year / years19301919-1950
PlaceMontevideo, Montevideo Department, UruguayReykjavik, Capital Region, Iceland
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Reykjavík, Reykjavík, Iceland
Climate20°C · 11.0h daylight · 5 km/h wind5°C · 15.8h daylight · 7 km/h wind · via Christ the King Cathedral (Reykjavík)
FocusHouse museum5 works in corpus
Architects
  • Julio Vilamajo
  • Guðjón Samúelsson
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Christ the King Cathedral (Reykjavík)
  • Akureyrarkirkja
  • Hallgrímskirkja
  • National Theatre of Iceland
Typologies
  • house
  • museum
  • residence
  • church
  • sacred space
  • cathedral
  • religious building
  • landmark
  • theatre
  • cultural building
  • civic building
Materials
  • masonry
  • stucco
  • timber
  • concrete
  • glass
  • stone
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
  • Stone
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

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