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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Onagawa Station in Onagawa, Japan
Onagawa Station

1939 · Onagawa, Onagawa, Japan

Onagawa Station image

Railway station in Onagawa, Miyagi Prefecture, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Onagawa Station

Onagawa, Onagawa, Japan · Exact work coordinates

OpenStreetMap
Field
Onagawa StationOnagawa Station

1939 · Onagawa, Onagawa, Japan

Guðjón SamúelssonGuðjón Samúelsson

1919-1950 · Reykjavik, Capital Region, Iceland

Typeworkbureau
Year / years19391919-1950
PlaceOnagawa, Onagawa, JapanReykjavik, Capital Region, Iceland
Place contextOnagawa, Onagawa, JapanRepresentative site: Reykjavík, Reykjavík, Iceland
Climate18°C · 13.5h daylight · 11 km/h wind5°C · 15.9h daylight · 5 km/h wind · via Christ the King Cathedral (Reykjavík)
FocusPerformance venue5 works in corpus
Architects
  • Shigeru Ban
  • Guðjón Samúelsson
Linked context

Bureaus

  • Shigeru Ban Architects

Notable works

  • Christ the King Cathedral (Reykjavík)
  • Akureyrarkirkja
  • Hallgrímskirkja
  • National Theatre of Iceland
Typologies
  • performance venue
  • church
  • sacred space
  • cathedral
  • religious building
  • landmark
  • theatre
  • cultural building
  • civic building
Materials

Not recorded yet.

  • concrete
  • glass
  • stone
Carbon signals

performance venue gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.