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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Pavilion of Human Passions in Brussels, Belgium
Pavilion of Human Passions

1889 · Brussels, Brussels, Belgium

Pavilion of Human Passions image

Neoclassical pavilion in Brussels, Belgium

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Pavilion of Human Passions

Brussels, Brussels, Belgium · Exact work coordinates

OpenStreetMap
Field
Pavilion of Human PassionsPavilion of Human Passions

1889 · Brussels, Brussels, Belgium

GrimshawGrimshaw

New York, United States

Typeworkbureau
Year / years1889Unrecorded
PlaceBrussels, Brussels, BelgiumNew York, United States
Place contextBrussels, Brussels, BelgiumRepresentative site: City of Melbourne, City of Melbourne, Australia
Climate11°C · 14.1h daylight · 10 km/h wind10°C · 10.9h daylight · 3 km/h wind · via Southern Cross railway station
FocusSacred building12 works in corpus
Architects
  • Victor Horta
  • Nicholas Grimshaw
Linked context

Bureaus

  • Atelier Victor Horta

Notable works

  • Southern Cross railway station
  • Amsterdam Bijlmer ArenA station
  • Sainsbury's, Camden
  • Eden Project
Typologies
  • temple
  • sacred space
  • pavilion
  • landscape
  • sports venue
  • building
  • museum
  • education
  • campus building
  • house
  • infrastructure
  • transportation
Materials
  • stone
  • steel
  • glass
  • concrete
  • timber
Carbon signals

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone

Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Steel
  • Glass
Lower-carbon levers
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

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