| Type | work | bureau |
|---|
| Year / years | 2012 | 1968 |
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| Place | Cuernavaca, Morelos, Mexico | Lisbon, Lisbon District, Portugal |
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| Place context | Cuernavaca, Morelos, Mexico | Representative site: Lisbon, Lisbon, Portugal |
|---|
| Climate | 23°C · 12.7h daylight · 9 km/h wind | Climate unavailable · via Instituto Superior de Ciências Sociais e Políticas |
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| Focus | Art space | 2 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Instituto Superior de Ciências Sociais e Políticas
- Lisbon Harbor Control Tower
|
|---|
| Typologies | - museum
- art center
- adaptive reuse
| - education
- campus building
- performance venue
- tower
|
|---|
| Materials | - concrete
- masonry
- painted surfaces
| Not recorded yet. |
|---|
| Carbon signals | Concrete, Brick, and Painted Surfaces look like the main embodied-carbon drivers in the current palette. - Concrete
- Brick
- Painted Surfaces
| education, campus building, performance venue, and tower gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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