| Type | work | bureau |
|---|
| Year / years | 1990 | 1962 |
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| Place | Florida, Florida, United States | Los Angeles, California, United States |
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| Place context | Florida, Florida, United States | Representative site: Los Angeles, Spain, Spain |
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| Climate | 25°C · 13.0h daylight · 18 km/h wind | 16°C · 13.7h daylight · 7 km/h wind · via Bodegas Marqués de Riscal |
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| Focus | Performance venue | 42 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Michael Graves Architecture & Design
| Notable works - Bodegas Marqués de Riscal
- Art Gallery of Ontario
- Toledo Museum of Art
- Weisman Art Museum
|
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| Typologies | - performance venue
- hospitality
| - building
- museum
- gallery
- library
- house
- campus building
- education
- performance venue
|
|---|
| Materials | | - glass
- stone
- wood
- steel
- titanium
- limestone
|
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| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Steel, Glass, and Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
- Use classification and product-level EPD research to place this material more precisely.
|
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| Accessibility | Publicly accessible | 22 of 22 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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