| Type | work | bureau |
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| Year / years | 1930 | 1962 |
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| Place | Brno-sever, Brno-sever, Czech Republic | Los Angeles, California, United States |
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| Place context | Černopolní, Černá Pole, Brno, Jihomoravský kraj, Česko | Representative site: Dundas Street West, Toronto, Ontario, Canada |
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| Climate | 12°C · 13.7h daylight · 0 km/h wind | 20°C · 13.4h daylight · 25 km/h wind · via Art Gallery of Ontario |
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| Focus | Architecture | 17 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Art Gallery of Ontario
- Weisman Art Museum
- Norton Simon Museum
- Merriweather Post Pavilion
|
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| Typologies | | - museum
- gallery
- library
- house
- education
- campus building
- performance venue
- pavilion
|
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| Materials | | - stone
- steel
- titanium
- glass
- limestone
|
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| Carbon signals | Concrete look like the main embodied-carbon drivers in the current palette. | Steel, Glass, and Stone look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
| - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
- Use classification and product-level EPD research to place this material more precisely.
|
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| Accessibility | Access not recorded | 10 of 10 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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