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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

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The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay

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Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

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Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

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Comparison

Field
Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Gehry PartnersGehry Partners

1962 · Los Angeles, California, United States

Typeworkbureau
Year / years19301962
PlaceMontevideo, Montevideo Department, UruguayLos Angeles, California, United States
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Los Angeles, Spain, Spain
Climate16°C · 10.9h daylight · 11 km/h wind11°C · 13.8h daylight · 5 km/h wind · via Bodegas Marqués de Riscal
FocusHouse museum42 works in corpus
Architects
  • Julio Vilamajo
  • Frank Gehry
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Bodegas Marqués de Riscal
  • Art Gallery of Ontario
  • Toledo Museum of Art
  • Weisman Art Museum
Typologies
  • house
  • museum
  • residence
  • building
  • museum
  • gallery
  • library
  • house
  • campus building
  • education
  • performance venue
Materials
  • masonry
  • stucco
  • timber
  • glass
  • stone
  • wood
  • steel
  • titanium
  • limestone
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Steel, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Steel
  • Glass
  • Stone
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Use classification and product-level EPD research to place this material more precisely.
AccessibilityPublicly accessible22 of 22 recorded works are publicly accessible
Related books

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