| Type | work | bureau |
|---|
| Year / years | Unknown | 1962 |
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| Place | Ōtake-shi, Ōtake-shi, Japan | Los Angeles, California, United States |
|---|
| Place context | 国道2号, 黒川一丁目, 大竹市, 日本 | Representative site: Dundas Street West, Toronto, Ontario, Canada |
|---|
| Climate | 15°C · 12.9h daylight · 2 km/h wind | 8°C · 13.3h daylight · 8 km/h wind · via Art Gallery of Ontario |
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| Focus | Museum | 15 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Art Gallery of Ontario
- Weisman Art Museum
- Norton Simon Museum
- Merriweather Post Pavilion
|
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| Typologies | | - museum
- gallery
- library
- house
- education
- campus building
- performance venue
- pavilion
|
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| Materials | | |
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| Carbon signals | Glass look like the main embodied-carbon drivers in the current palette. | Steel and Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
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| Accessibility | Publicly accessible | 10 of 10 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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