| Type | work | bureau |
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| Year / years | 2010 | 1962 |
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| Place | Lausanne, Vaud, Switzerland | Los Angeles, California, United States |
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| Place context | Lausanne, Vaud, Switzerland | Representative site: Los Angeles, Spain, Spain |
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| Climate | 15°C · 13.8h daylight · 8 km/h wind | 20°C · 13.6h daylight · 4 km/h wind · via Bodegas Marqués de Riscal |
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| Focus | University learning center | 42 works in corpus |
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| Architects | - Kazuyo Sejima
- Ryue Nishizawa
| |
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| Linked context | Bureaus | Notable works - Bodegas Marqués de Riscal
- Art Gallery of Ontario
- Toledo Museum of Art
- Weisman Art Museum
|
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| Typologies | - university building
- learning center
- academic building
| - building
- museum
- gallery
- library
- house
- campus building
- education
- performance venue
|
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| Materials | | - glass
- stone
- wood
- steel
- titanium
- limestone
|
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| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | Steel, Glass, and Stone look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
- Use classification and product-level EPD research to place this material more precisely.
|
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| Accessibility | Publicly accessible | 22 of 22 recorded works are publicly accessible |
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| Related books | | No linked books yet. |
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