| Type | work | bureau |
|---|
| Year / years | 1933 | 1962 |
|---|
| Place | Quartier de la Gare, Quartier de la Gare, France | Los Angeles, California, United States |
|---|
| Place context | Rue Cantagrel, Paris 13e Arrondissement, Paris, Île-de-France, France | Representative site: Dundas Street West, Toronto, Ontario, Canada |
|---|
| Climate | 6°C · 13.5h daylight · 7 km/h wind | 1°C · 13.3h daylight · 8 km/h wind · via Art Gallery of Ontario |
|---|
| Focus | Housing | 16 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Art Gallery of Ontario
- Weisman Art Museum
- Norton Simon Museum
- Merriweather Post Pavilion
|
|---|
| Typologies | | - museum
- gallery
- library
- house
- education
- campus building
- performance venue
- pavilion
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | housing gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Steel and Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
|---|
| Accessibility | Access not recorded | 10 of 10 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|