| Type | work | bureau |
|---|
| Year / years | 1992 | 1962 |
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| Place | Naoshima, Naoshima, Japan | Los Angeles, California, United States |
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| Place context | 北風戸積浦線, 直島町, 日本 | Representative site: Dundas Street West, Toronto, Ontario, Canada |
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| Climate | 14°C · 12.9h daylight · 2 km/h wind | 10°C · 13.3h daylight · 6 km/h wind · via Art Gallery of Ontario |
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| Focus | Museum | 15 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus - Tadao Ando Architect & Associates
| Notable works - Art Gallery of Ontario
- Weisman Art Museum
- Norton Simon Museum
- Merriweather Post Pavilion
|
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| Typologies | - museum
- gallery
- house
- hospitality
| - museum
- gallery
- library
- house
- education
- campus building
- performance venue
- pavilion
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum, gallery, house, and hospitality gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Steel and Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
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| Accessibility | Publicly accessible | 10 of 10 recorded works are publicly accessible |
|---|
| Related books | | No linked books yet. |
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