| Type | work | bureau |
|---|
| Year / years | 1898 | 1962 |
|---|
| Place | Asahikawa, Asahikawa, Japan | Los Angeles, California, United States |
|---|
| Place context | Asahikawa, Asahikawa, Japan | Representative site: Los Angeles, Spain, Spain |
|---|
| Climate | 9°C · 13.7h daylight · 11 km/h wind | 23°C · 13.6h daylight · 1 km/h wind · via Bodegas Marqués de Riscal |
|---|
| Focus | Performance venue | 42 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Hiroshi Naito Architect & Associates
| Notable works - Bodegas Marqués de Riscal
- Art Gallery of Ontario
- Toledo Museum of Art
- Weisman Art Museum
|
|---|
| Typologies | | - building
- museum
- gallery
- library
- house
- campus building
- education
- performance venue
|
|---|
| Materials | Not recorded yet. | - glass
- stone
- wood
- steel
- titanium
- limestone
|
|---|
| Carbon signals | performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Steel, Glass, and Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
- Use classification and product-level EPD research to place this material more precisely.
|
|---|
| Accessibility | Publicly accessible | 22 of 22 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|