| Type | work | bureau |
|---|
| Year / years | 1954 | 1963 |
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| Place | Tallahassee, Tallahassee, United States | Milan, Lombardy, Italy |
|---|
| Place context | Tallahassee, Tallahassee, United States | Representative site: San Francisco, San Francisco, United States |
|---|
| Climate | 16°C · 13.0h daylight · 15 km/h wind | 16°C · 13.4h daylight · 20 km/h wind · via Asian Art Museum (San Francisco) |
|---|
| Focus | House | 4 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus - Frank Lloyd Wright Foundation
| Notable works - Asian Art Museum (San Francisco)
- Milano Cadorna railway station
- Perugia San Francesco d'Assisi – Umbria International Airport
- Piazza Ciullo
|
|---|
| Typologies | | - museum
- building
- transport hub
|
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| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette. | museum, building, and transport hub gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| No levers surfaced yet. |
|---|
| Accessibility | Access not recorded | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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