| Type | work | bureau |
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| Year / years | 1930 | Unrecorded |
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| Place | Montevideo, Montevideo Department, Uruguay | Lima, Lima Province, Peru |
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| Place context | Domingo Cullen, Punta Carretas, Montevideo, Montevideo, Uruguay | Representative site: Pasaje Juan Arbocco Carrillo, Barranco, Lima, Lima, Perú |
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| Climate | 12°C · 10.9h daylight · 5 km/h wind | 22°C · 11.8h daylight · 1 km/h wind · via Museum of Contemporary Art of Lima |
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| Focus | House museum | 1 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Museum of Contemporary Art of Lima
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| Typologies | | |
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| Materials | | |
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| Carbon signals | Brick and Stucco look like the main embodied-carbon drivers in the current palette. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
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| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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