| Type | work | bureau |
|---|
| Year / years | 1979 | Unrecorded |
|---|
| Place | Matsue, Matsue, Japan | Lima, Lima Province, Peru |
|---|
| Place context | 松江鹿島美保関線, 松江市, 日本 | Representative site: Pasaje Juan Arbocco Carrillo, Barranco, Lima, Lima, Perú |
|---|
| Climate | 14°C · 13.1h daylight · 11 km/h wind | 22°C · 11.8h daylight · 4 km/h wind · via Museum of Contemporary Art of Lima |
|---|
| Focus | Museum | 1 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Kiyonori Kikutake Architect and Associates
| Notable works - Museum of Contemporary Art of Lima
|
|---|
| Typologies | | |
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum and house gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|