| Type | work | bureau |
|---|
| Year / years | 1964 | Unrecorded |
|---|
| Place | Sekiguchi, Sekiguchi, Japan | Lima, Lima Province, Peru |
|---|
| Place context | 関口三丁目, 文京区, 日本 | Representative site: Avenida Almirante Miguel Grau, Barranco, Barranco, Lima, Perú |
|---|
| Climate | 9°C · 13.3h daylight · 2 km/h wind | 24°C · 11.8h daylight · 11 km/h wind · via Museum of Contemporary Art of Lima |
|---|
| Focus | Sacred building | 1 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Museum of Contemporary Art of Lima
|
|---|
| Typologies | | |
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | cathedral and sacred space gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|