| Type | work | bureau |
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| Year / years | 1954 | Unrecorded |
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| Place | Tallahassee, Tallahassee, United States | Lima, Lima Province, Peru |
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| Place context | Tallahassee, Tallahassee, United States | Representative site: Lima, Lima Province, Peru |
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| Climate | 23°C · 13.0h daylight · 23 km/h wind | 26°C · 11.8h daylight · 11 km/h wind · via Museum of Contemporary Art of Lima |
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| Focus | House | 1 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Frank Lloyd Wright Foundation
| Notable works - Museum of Contemporary Art of Lima
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| Typologies | | |
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| Materials | | |
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| Carbon signals | Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
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| Accessibility | Access not recorded | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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