| Type | work | bureau |
|---|
| Year / years | 1951 | 1401 |
|---|
| Place | Sao Paulo, Brazil | Florence, Tuscany, Italy |
|---|
| Place context | Rua General Américo de Moura, Morumbi, São Paulo, São Paulo, Brasil | Representative site: Piazza di Santo Spirito, Quartiere 1, Oltrarno, Firenze, Toscana, Italia |
|---|
| Climate | 19°C · 11.6h daylight · 12 km/h wind | 23°C · 13.3h daylight · 5 km/h wind · via Santo Spirito, Florence |
|---|
| Focus | House | 8 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Santo Spirito, Florence
- Florence Cathedral
- Santa Maria degli Angeli, Florence
- Capponi Chapel
|
|---|
| Typologies | | - church
- sacred space
- cathedral
- chapel
- building
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | church, sacred space, cathedral, and chapel gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 6 of 6 recorded works are publicly accessible |
|---|
| Related books | | No linked books yet. |
|---|