| Type | work | bureau |
|---|
| Year / years | 2018 | 1840 |
|---|
| Place | Vilnius, Vilnius County, Lithuania | Zurich, Zurich, Switzerland |
|---|
| Place context | Vilnius, Vilnius County, Lithuania | Representative site: Nazareth, Nazareth, Israel |
|---|
| Climate | 11°C · 14.5h daylight · 9 km/h wind | 15°C · 13.2h daylight · 11 km/h wind · via Christ Church, Nazareth |
|---|
| Focus | Museum | 3 works in corpus |
|---|
| Architects | - Daniel Libeskind
- Daniel Libeskind
| |
|---|
| Linked context | Bureaus | Notable works - Christ Church, Nazareth
- Augustinerkirche Zürich
- Baden railway station
|
|---|
| Typologies | - museum
- modern art museum
- cultural building
| - church
- sacred space
- performance venue
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete and Glass look like the main embodied-carbon drivers in the current palette. | church, sacred space, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|