| Type | work | bureau |
|---|
| Year / years | 2017 | 1840 |
|---|
| Place | Hamburg, Hamburg, Germany | Zurich, Zurich, Switzerland |
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| Place context | Hamburg, Hamburg, Germany | Representative site: Nazareth, Nazareth, Israel |
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| Climate | 11°C · 14.4h daylight · 16 km/h wind | 20°C · 13.1h daylight · 26 km/h wind · via Christ Church, Nazareth |
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| Focus | Concert hall | 3 works in corpus |
|---|
| Architects | - Jacques Herzog
- Pierre de Meuron
| |
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| Linked context | Bureaus | Notable works - Christ Church, Nazareth
- Augustinerkirche Zürich
- Baden railway station
|
|---|
| Typologies | - concert hall
- adaptive reuse
- cultural building
| - church
- sacred space
- performance venue
|
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| Materials | | Not recorded yet. |
|---|
| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | church, sacred space, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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