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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Milwaukee Art Museum in Milwaukee, United States
Milwaukee Art Museum

1882 · Milwaukee, Milwaukee, United States

Milwaukee Art Museum image

Art museum in Wisconsin, United States

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Milwaukee Art Museum

Milwaukee, Milwaukee, United States · Exact work coordinates

OpenStreetMap
Field
Milwaukee Art MuseumMilwaukee Art Museum

1882 · Milwaukee, Milwaukee, United States

Enric MirallesEnric Miralles

1984-2000 · Barcelona, Catalonia, Spain

Typeworkbureau
Year / years18821984-2000
PlaceMilwaukee, Milwaukee, United StatesBarcelona, Catalonia, Spain
Place contextMilwaukee, Milwaukee, United StatesRepresentative site: Igualada, Catalonia, Spain
Climate1°C · 13.6h daylight · 4 km/h wind17°C · 13.6h daylight · 2 km/h wind · via Igualada Cemetery
FocusMuseum3 works in corpus
Architects
  • Eero Saarinen
  • Enric Miralles
Linked context

Bureaus

  • Eero Saarinen and Associates

Notable works

  • Igualada Cemetery
  • Pabellón Pedro Ferrándiz
  • Camp Olímpic de Tir amb Arc
Typologies
  • museum
  • gallery
  • cemetery
  • landscape architecture
  • civic infrastructure
  • building
Materials

Not recorded yet.

  • concrete
  • earth
  • stone
Carbon signals

museum and gallery gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete, Earth, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Earth
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.