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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Hiroshima Peace Memorial Museum in Nakajimachō, Japan
Hiroshima Peace Memorial Museum

1955 · Nakajimachō, Nakajimachō, Japan

Hiroshima Peace Memorial Museum image

Peace museum in Hiroshima, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Hiroshima Peace Memorial Museum

Nakajimachō, Nakajimachō, Japan · Exact work coordinates

OpenStreetMap
Field
Hiroshima Peace Memorial MuseumHiroshima Peace Memorial Museum

1955 · Nakajimachō, Nakajimachō, Japan

Enric MirallesEnric Miralles

1984-2000 · Barcelona, Catalonia, Spain

Typeworkbureau
Year / years19551984-2000
PlaceNakajimachō, Nakajimachō, JapanBarcelona, Catalonia, Spain
Place contextNakajimachō, Nakajimachō, JapanRepresentative site: Igualada, Catalonia, Spain
Climate20°C · 13.2h daylight · 3 km/h wind12°C · 13.6h daylight · 5 km/h wind · via Igualada Cemetery
FocusMuseum3 works in corpus
Architects
  • Kenzo Tange
  • Enric Miralles
Linked context

Bureaus

  • Kenzo Tange Associates

Notable works

  • Igualada Cemetery
  • Pabellón Pedro Ferrándiz
  • Camp Olímpic de Tir amb Arc
Typologies
  • museum
  • memorial
  • landscape
  • cemetery
  • landscape architecture
  • civic infrastructure
  • building
Materials

Not recorded yet.

  • concrete
  • earth
  • stone
Carbon signals

museum, memorial, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete, Earth, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Earth
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.