| Type | work | bureau |
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| Year / years | 2017 | 1920-1976 |
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| Place | Hamburg, Hamburg, Germany | Dublin, Leinster, Ireland |
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| Place context | Hamburg, Hamburg, Germany | Representative site: Roquebrune-Cap-Martin, Roquebrune-Cap-Martin, France |
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| Climate | 7°C · 14.4h daylight · 15 km/h wind | 17°C · 13.7h daylight · 4 km/h wind · via E-1027 |
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| Focus | Concert hall | 1 works in corpus |
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| Architects | - Jacques Herzog
- Pierre de Meuron
| |
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| Linked context | Bureaus | Notable works |
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| Typologies | - concert hall
- adaptive reuse
- cultural building
| |
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| Materials | | Not recorded yet. |
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| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
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| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
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| Accessibility | Publicly accessible | Access not recorded across linked works |
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| Related books | No linked books yet. | No linked books yet. |
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