| Type | work | bureau |
|---|
| Year / years | 1930 | 1950 |
|---|
| Place | Montevideo, Montevideo Department, Uruguay | Bloomfield Hills, Michigan, United States |
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| Place context | Montevideo, Montevideo Department, Uruguay | Representative site: Milwaukee, Milwaukee, United States |
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| Climate | 19°C · 11.0h daylight · 12 km/h wind | 2°C · 13.6h daylight · 6 km/h wind · via Milwaukee Art Museum |
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| Focus | House museum | 12 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Milwaukee Art Museum
- Kresge Auditorium
- MIT Chapel
- Concordia Senior College
|
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| Typologies | | - museum
- gallery
- infrastructure
- campus building
- chapel
- sacred space
- church
- education
|
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| Materials | | |
|---|
| Carbon signals | Brick and Stucco look like the main embodied-carbon drivers in the current palette. | Concrete and Steel look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
|
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| Accessibility | Publicly accessible | 8 of 8 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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