| Type | work | bureau |
|---|
| Year / years | 2003 | 1950 |
|---|
| Place | Higashi-Shinbashi, Higashi-Shinbashi, Japan | Bloomfield Hills, Michigan, United States |
|---|
| Place context | ゼロスタ広場, 港区, 日本 | Representative site: North Art Museum Drive, Downtown, Milwaukee, Wisconsin, United States |
|---|
| Climate | 23°C · 13.1h daylight · 5 km/h wind | 11°C · 13.4h daylight · 10 km/h wind · via Milwaukee Art Museum |
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| Focus | House | 12 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Rogers Stirk Harbour + Partners
| Notable works - Milwaukee Art Museum
- Kresge Auditorium
- MIT Chapel
- Concordia Senior College
|
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| Typologies | | - museum
- gallery
- infrastructure
- campus building
- chapel
- sacred space
- church
- education
|
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| Materials | Not recorded yet. | |
|---|
| Carbon signals | house, tower, and office gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete and Steel look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
|
|---|
| Accessibility | Access not recorded | 8 of 8 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
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