| Type | work | bureau |
|---|
| Year / years | 1998 | 1950 |
|---|
| Place | City of London, City of London, United Kingdom | Bloomfield Hills, Michigan, United States |
|---|
| Place context | City of London, City of London, United Kingdom | Representative site: Milwaukee, Milwaukee, United States |
|---|
| Climate | 8°C · 14.2h daylight · 6 km/h wind | 2°C · 13.6h daylight · 6 km/h wind · via Milwaukee Art Museum |
|---|
| Focus | Architecture | 12 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Rogers Stirk Harbour + Partners
| Notable works - Milwaukee Art Museum
- Kresge Auditorium
- MIT Chapel
- Concordia Senior College
|
|---|
| Typologies | | - museum
- gallery
- infrastructure
- campus building
- chapel
- sacred space
- church
- education
|
|---|
| Materials | | |
|---|
| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Concrete and Steel look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
|
|---|
| Accessibility | Access not recorded | 8 of 8 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|