| Type | work | bureau |
|---|
| Year / years | Unknown | 1950 |
|---|
| Place | Manhattan, Manhattan, United States | Bloomfield Hills, Michigan, United States |
|---|
| Place context | Greenwich Street, Manhattan, Tribeca, New York, New York, United States | Representative site: North Art Museum Drive, Downtown, Milwaukee, Wisconsin, United States |
|---|
| Climate | 25°C · 13.3h daylight · 20 km/h wind | 13°C · 13.4h daylight · 17 km/h wind · via Milwaukee Art Museum |
|---|
| Focus | Architecture | 12 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Milwaukee Art Museum
- Kresge Auditorium
- MIT Chapel
- Concordia Senior College
|
|---|
| Typologies | | - museum
- gallery
- infrastructure
- campus building
- chapel
- sacred space
- church
- education
|
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| Materials | Not recorded yet. | |
|---|
| Carbon signals | tower gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete and Steel look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
|
|---|
| Accessibility | Access not recorded | 8 of 8 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|