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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Yokosuka Museum of Art in Yokosuka, Japan

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Yokosuka Museum of Art

2007 · Yokosuka, Yokosuka, Japan

Yokosuka Museum of Art image

Museum in Yokosuka, Kanagawa Prefecture, Japan

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Pins are normalized from the recorded work coordinates so you can read the set spatially.

Yokosuka Museum of Art

Yokosuka, Yokosuka, Japan · Exact work coordinates

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Comparison

Field
Yokosuka Museum of ArtYokosuka Museum of Art

2007 · Yokosuka, Yokosuka, Japan

Edwin LutyensEdwin Lutyens

1888 · London, England, United Kingdom

Typeworkbureau
Year / years20071888
PlaceYokosuka, Yokosuka, JapanLondon, England, United Kingdom
Place contextYokosuka, Yokosuka, JapanRepresentative site: Holy Island, Holy Island, United Kingdom
Climate18°C · 13.3h daylight · 12 km/h wind8°C · 14.6h daylight · 7 km/h wind · via Lindisfarne Castle
FocusMuseum102 works in corpus
Architects
  • Riken Yamamoto
  • Edwin Lutyens
Linked context

Bureaus

  • Riken Yamamoto & Field Shop

Notable works

  • Lindisfarne Castle
  • Renishaw Hall
  • Deanery Garden
  • Overstrand Hall
Typologies
  • museum
  • landscape
  • building
  • house
  • landscape
  • civic building
  • infrastructure
  • hospitality
  • church
  • sacred space
Materials

Not recorded yet.

  • timber
  • stone
  • brick
  • glass
Carbon signals

museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Brick, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Glass
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible30 of 30 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.