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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

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The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Ars Aevi in Sarajevo, Bosnia and Herzegovina

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Ars Aevi

1992 · Sarajevo, Sarajevo, Bosnia and Herzegovina

Ars Aevi image

Art Museum in Sarajevo, Bosnia and Herzegovina

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Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Ars Aevi

Sarajevo, Sarajevo, Bosnia and Herzegovina · Exact work coordinates

OpenStreetMap

Comparison

Field
Ars AeviArs Aevi

1992 · Sarajevo, Sarajevo, Bosnia and Herzegovina

Edwin LutyensEdwin Lutyens

1888 · London, England, United Kingdom

Typeworkbureau
Year / years19921888
PlaceSarajevo, Sarajevo, Bosnia and HerzegovinaLondon, England, United Kingdom
Place contextSarajevo, Sarajevo, Bosnia and HerzegovinaRepresentative site: Holy Island, Holy Island, United Kingdom
Climate12°C · 13.7h daylight · 4 km/h wind10°C · 14.6h daylight · 22 km/h wind · via Lindisfarne Castle
FocusMuseum102 works in corpus
Architects
  • Renzo Piano
  • Edwin Lutyens
Linked context

Bureaus

  • Renzo Piano Building Workshop

Notable works

  • Lindisfarne Castle
  • Renishaw Hall
  • Deanery Garden
  • Overstrand Hall
Typologies
  • museum
  • building
  • house
  • landscape
  • civic building
  • infrastructure
  • hospitality
  • church
  • sacred space
Materials

Not recorded yet.

  • timber
  • stone
  • brick
  • glass
Carbon signals

museum gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Brick, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Glass
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible30 of 30 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.