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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

WorksBureausMixedReset selection

Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.

Image 1

2 World Trade Center (1971–2001)

1971 · New York City, New York City, United States

New York City, New York City, United States

6°C · 13.5h daylight · 18 km/h wind

Map pins

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

2 World Trade Center (1971–2001)

New York City, New York City, United States · Exact work coordinates

OpenStreetMap

Focused slot

2 World Trade Center (1971–2001)

Image 1

New York City, New York City, United States

Climate: 6°C · 13.5h daylight · 18 km/h wind

Mapping: Exact work coordinates

View workMap pin

Comparison

Field
2 World Trade Center (1971–2001)

1971 · New York City, New York City, United States

Edwin LutyensEdwin Lutyens

1888 · London, England, United Kingdom

Typeworkbureau
Year / years19711888
PlaceNew York City, New York City, United StatesLondon, England, United Kingdom
Place contextNew York City, New York City, United StatesRepresentative site: Holy Island, Holy Island, United Kingdom
Climate6°C · 13.5h daylight · 18 km/h wind9°C · 14.5h daylight · 8 km/h wind · via Lindisfarne Castle
FocusArchitecture102 works in corpus
Architects
  • Minoru Yamasaki
  • Edwin Lutyens
Linked context

Bureaus

  • Yamasaki & Associates

Notable works

  • Lindisfarne Castle
  • Renishaw Hall
  • Deanery Garden
  • Overstrand Hall
Typologies
  • tower
  • building
  • house
  • landscape
  • civic building
  • infrastructure
  • hospitality
  • church
  • sacred space
Materials

Not recorded yet.

  • timber
  • stone
  • brick
  • glass
Carbon signals

tower gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Brick, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Glass
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityAccess not recorded30 of 30 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.