saved.archi

your architecture companion

Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Tenshin Memorial Museum of Art, Ibaraki

1997 · Kitaibaraki City, Kitaibaraki City, Japan

Kitaibaraki City, Kitaibaraki City, Japan

12°C · 13.3h daylight · 12 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Tenshin Memorial Museum of Art, Ibaraki

Kitaibaraki City, Kitaibaraki City, Japan · Exact work coordinates

OpenStreetMap

Tenshin Memorial Museum of Art, Ibaraki

Image 1

Kitaibaraki City, Kitaibaraki City, Japan

Climate: 12°C · 13.3h daylight · 12 km/h wind

Mapping: Exact work coordinates

Field
Tenshin Memorial Museum of Art, Ibaraki

1997 · Kitaibaraki City, Kitaibaraki City, Japan

Douglas Cardinal ArchitectDouglas Cardinal Architect

1964 · Ottawa, Ontario, Canada

Typeworkbureau
Year / years19971964
PlaceKitaibaraki City, Kitaibaraki City, JapanOttawa, Ontario, Canada
Place contextKitaibaraki City, Kitaibaraki City, JapanRepresentative site: Gatineau, Gatineau, Canada
Climate12°C · 13.3h daylight · 12 km/h wind8°C · 13.7h daylight · 20 km/h wind · via Canadian Museum of History
FocusMuseum3 works in corpus
Architects
  • Hiroshi Naito
  • Douglas Cardinal
Linked context

Bureaus

  • Hiroshi Naito Architect & Associates

Notable works

  • Canadian Museum of History
  • Telus World of Science Edmonton
  • National Museum of the American Indian
Typologies
  • museum
  • memorial
  • museum
  • house
  • performance venue
  • landscape
Materials

Not recorded yet.

  • timber
Carbon signals

museum and memorial gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter.

No dominant drivers yet.

Lower-carbon levers

No levers surfaced yet.

  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.