| Type | work | bureau |
|---|
| Year / years | 2017 | 1964 |
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| Place | Hamburg, Hamburg, Germany | Ottawa, Ontario, Canada |
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| Place context | Hamburg, Hamburg, Germany | Representative site: Gatineau, Gatineau, Canada |
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| Climate | 9°C · 14.4h daylight · 13 km/h wind | 7°C · 13.7h daylight · 24 km/h wind · via Canadian Museum of History |
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| Focus | Concert hall | 3 works in corpus |
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| Architects | - Jacques Herzog
- Pierre de Meuron
| |
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| Linked context | Bureaus | Notable works - Canadian Museum of History
- Telus World of Science Edmonton
- National Museum of the American Indian
|
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| Typologies | - concert hall
- adaptive reuse
- cultural building
| - museum
- house
- performance venue
- landscape
|
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| Materials | | |
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| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
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| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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