| Type | work | bureau |
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| Year / years | 2011 | 1964 |
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| Place | Busan, Busan, South Korea | Ottawa, Ontario, Canada |
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| Place context | Busan, Busan, South Korea | Representative site: Gatineau, Gatineau, Canada |
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| Climate | Climate unavailable | 3°C · 13.8h daylight · 8 km/h wind · via Canadian Museum of History |
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| Focus | Cinema center | 3 works in corpus |
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| Architects | No architects linked yet. | |
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| Linked context | Bureaus No linked context yet. | Notable works - Canadian Museum of History
- Telus World of Science Edmonton
- National Museum of the American Indian
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| Typologies | - cinema
- cultural building
- performing arts
| - museum
- house
- performance venue
- landscape
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| Materials | | |
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| Carbon signals | Aluminum, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
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| Lower-carbon levers | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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