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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

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The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay

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Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

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Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

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Comparison

Field
Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Donato BramanteDonato Bramante

1490 · Rome, Lazio, Italy

Typeworkbureau
Year / years19301490
PlaceMontevideo, Montevideo Department, UruguayRome, Lazio, Italy
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Rome, Rome, Italy
Climate19°C · 11.0h daylight · 13 km/h wind13°C · 13.6h daylight · 4 km/h wind · via San Giovanni in Oleo
FocusHouse museum24 works in corpus
Architects
  • Julio Vilamajo
  • Donato Bramante
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • San Giovanni in Oleo
  • Chiaravalle Abbey
  • San Pietro in Montorio
  • Santa Maria della Pace
Typologies
  • house
  • museum
  • residence
  • house
  • church
  • sacred space
  • chapel
  • building
  • civic building
  • memorial
  • cathedral
Materials
  • masonry
  • stucco
  • timber
  • stone
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible17 of 17 recorded works are publicly accessible
Related books

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