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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Kimbell Art Museum

1972 · Fort Worth, Texas, United States

Fort Worth, Texas, United States

11°C · 13.2h daylight · 3 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Kimbell Art Museum

Fort Worth, Texas, United States · City-level coordinates only

OpenStreetMap

Kimbell Art Museum

Image 1

Fort Worth, Texas, United States

Climate: 11°C · 13.2h daylight · 3 km/h wind

Mapping: City-level coordinates only

Field
Kimbell Art MuseumKimbell Art Museum

1972 · Fort Worth, Texas, United States

Donato BramanteDonato Bramante

1490 · Rome, Lazio, Italy

Typeworkbureau
Year / years19721490
PlaceFort Worth, Texas, United StatesRome, Lazio, Italy
Place contextFort Worth, Texas, United StatesRepresentative site: Rome, Rome, Italy
Climate11°C · 13.2h daylight · 3 km/h wind20°C · 13.6h daylight · 10 km/h wind · via San Giovanni in Oleo
FocusMuseum24 works in corpus
Architects
  • Louis Kahn
  • Donato Bramante
Linked context

Bureaus

  • Louis Kahn

Notable works

  • San Giovanni in Oleo
  • Chiaravalle Abbey
  • San Pietro in Montorio
  • Santa Maria della Pace
Typologies
  • museum
  • art museum
  • cultural building
  • house
  • church
  • sacred space
  • chapel
  • building
  • civic building
  • memorial
  • cathedral
Materials
  • concrete
  • travertine
  • aluminum
  • stone
Carbon signals

Aluminum, Concrete, and Travertine look like the main embodied-carbon drivers in the current palette.

  • Aluminum
  • Concrete
  • Travertine

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers
  • Focus on recycled content, lighter assemblies, and careful facade-specification choices.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible17 of 17 recorded works are publicly accessible
Related books

No linked books yet.