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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.

Image 1

Oslo Opera House

2008 · Oslo, Oslo, Norway

Oslo, Oslo, Norway

6°C · 15.0h daylight · 13 km/h wind

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Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Oslo Opera House

Oslo, Oslo, Norway · Exact work coordinates

OpenStreetMap

Focused slot

Oslo Opera House

Image 1

Oslo, Oslo, Norway

Climate: 6°C · 15.0h daylight · 13 km/h wind

Mapping: Exact work coordinates

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Comparison

Field
Oslo Opera House

2008 · Oslo, Oslo, Norway

Dimitris Pikionis

1925-1968 · Athens, Attica, Greece

Typeworkbureau
Year / years20081925-1968
PlaceOslo, Oslo, NorwayAthens, Attica, Greece
Place contextOslo, Oslo, NorwayRepresentative site: Athens, Attica, Greece
Climate6°C · 15.0h daylight · 13 km/h wind14°C · 13.4h daylight · 1 km/h wind · via Landscaping of the Acropolis of Athens
FocusOpera house1 works in corpus
Architects
  • Kjetil Trædal Thorsen
  • Dimitris Pikionis
Linked context

Bureaus

  • Snøhetta

Notable works

  • Landscaping of the Acropolis of Athens
Typologies
  • performance venue
  • civic building
  • opera house
  • landscape
  • public space
  • pedestrian infrastructure
Materials
  • marble
  • glass
  • concrete
  • stone
  • paving
  • salvaged fragments
Carbon signals

Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
  • Stone

Paving, Salvaged Fragments, and Stone look like the main embodied-carbon drivers in the current palette.

  • Paving
  • Salvaged Fragments
  • Stone
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Use classification and product-level EPD research to place this material more precisely.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

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