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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Museum of Modern Art, Rio de Janeiro in Rio de Janeiro, Brazil
Museum of Modern Art, Rio de Janeiro

1948 · Rio de Janeiro, Rio de Janeiro, Brazil

Museum of Modern Art, Rio de Janeiro image

Art museum in Rio de Janeiro, Brazil

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Museum of Modern Art, Rio de Janeiro

Rio de Janeiro, Rio de Janeiro, Brazil · Exact work coordinates

OpenStreetMap

Museum of Modern Art, Rio de Janeiro

Hero image

Art museum in Rio de Janeiro, Brazil

Credit:

Rights: Unknown · unknown

Field
Museum of Modern Art, Rio de JaneiroMuseum of Modern Art, Rio de Janeiro

1948 · Rio de Janeiro, Rio de Janeiro, Brazil

Dimitris Pikionis

1925-1968 · Athens, Attica, Greece

Typeworkbureau
Year / years19481925-1968
PlaceRio de Janeiro, Rio de Janeiro, BrazilAthens, Attica, Greece
Place contextRio de Janeiro, Rio de Janeiro, BrazilRepresentative site: Athens, Attica, Greece
Climate25°C · 11.5h daylight · 4 km/h wind15°C · 13.4h daylight · 3 km/h wind · via Landscaping of the Acropolis of Athens
FocusMuseum1 works in corpus
Architects
  • Affonso Eduardo Reidy
  • Dimitris Pikionis
Linked context

Bureaus

  • Affonso Eduardo Reidy

Notable works

  • Landscaping of the Acropolis of Athens
Typologies
  • museum
  • transport hub
  • landscape
  • landscape
  • public space
  • pedestrian infrastructure
Materials

Not recorded yet.

  • stone
  • paving
  • salvaged fragments
Carbon signals

museum, transport hub, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Paving, Salvaged Fragments, and Stone look like the main embodied-carbon drivers in the current palette.

  • Paving
  • Salvaged Fragments
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Use classification and product-level EPD research to place this material more precisely.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.