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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Museum of Art, Architecture and Technology

Lisbon, Lisbon, Portugal · Exact work coordinates

OpenStreetMap
Field
Museum of Art, Architecture and TechnologyMuseum of Art, Architecture and Technology

2016 · Lisbon, Lisbon, Portugal

Dimitris Pikionis

1925-1968 · Athens, Attica, Greece

Typeworkbureau
Year / years20161925-1968
PlaceLisbon, Lisbon, PortugalAthens, Attica, Greece
Place contextLisbon, Lisbon, PortugalRepresentative site: Athens, Attica, Greece
Climate15°C · 13.4h daylight · 4 km/h wind18°C · 13.4h daylight · 5 km/h wind · via Landscaping of the Acropolis of Athens
FocusMuseum1 works in corpus
Architects
  • Amanda Levete
  • Dimitris Pikionis
Linked context

Bureaus

  • AL_A

Notable works

  • Landscaping of the Acropolis of Athens
Typologies
  • museum
  • cultural building
  • riverfront building
  • landscape
  • public space
  • pedestrian infrastructure
Materials
  • ceramic tile
  • concrete
  • glass
  • stone
  • paving
  • salvaged fragments
Carbon signals

Concrete, Ceramic Tile, and Glass look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Ceramic Tile
  • Glass

Paving, Salvaged Fragments, and Stone look like the main embodied-carbon drivers in the current palette.

  • Paving
  • Salvaged Fragments
  • Stone
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Use classification and product-level EPD research to place this material more precisely.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

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