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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Marina Bay Sands in Downtown Core, Singapore
Marina Bay Sands

2010 · Singapore, Singapore

Marina Bay Sands image

Integrated resort in Singapore

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Marina Bay Sands

Singapore, Singapore · City-level coordinates only

OpenStreetMap
Field
Marina Bay SandsMarina Bay Sands

2010 · Singapore, Singapore

Dimitris Pikionis

1925-1968 · Athens, Attica, Greece

Typeworkbureau
Year / years20101925-1968
PlaceSingapore, SingaporeAthens, Attica, Greece
Place contextSingapore, SingaporeRepresentative site: Athens, Attica, Greece
Climate26°C · 12.2h daylight · 3 km/h wind16°C · 13.4h daylight · 1 km/h wind · via Landscaping of the Acropolis of Athens
FocusHotels1 works in corpus
Architects
  • Moshe Safdie
  • Dimitris Pikionis
Linked context

Bureaus

  • Safdie Architects

Notable works

  • Landscaping of the Acropolis of Athens
Typologies
  • hospitality
  • hotels
  • hotels and restaurants
  • landscape
  • public space
  • pedestrian infrastructure
Materials
  • concrete
  • stone
  • paving
  • salvaged fragments
Carbon signals

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete

Paving, Salvaged Fragments, and Stone look like the main embodied-carbon drivers in the current palette.

  • Paving
  • Salvaged Fragments
  • Stone
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityAccess not recorded1 of 1 recorded works are publicly accessible
Related books

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