saved.archi

your architecture companion

Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Center for Maine Contemporary Art

Unknown · Maine, Maine, United States

Maine, Maine, United States

3°C · 13.7h daylight · 22 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Center for Maine Contemporary Art

Maine, Maine, United States · Exact work coordinates

OpenStreetMap

Center for Maine Contemporary Art

Image 1

Maine, Maine, United States

Climate: 3°C · 13.7h daylight · 22 km/h wind

Mapping: Exact work coordinates

Field
Center for Maine Contemporary Art

Unknown · Maine, Maine, United States

Dimitris Pikionis

1925-1968 · Athens, Attica, Greece

Typeworkbureau
Year / yearsUnknown1925-1968
PlaceMaine, Maine, United StatesAthens, Attica, Greece
Place contextMaine, Maine, United StatesRepresentative site: Athens, Attica, Greece
Climate3°C · 13.7h daylight · 22 km/h wind12°C · 13.4h daylight · 4 km/h wind · via Landscaping of the Acropolis of Athens
FocusMuseum1 works in corpus
Architects
  • Toshiko Mori
  • Dimitris Pikionis
Linked context

Bureaus

  • Toshiko Mori Architect

Notable works

  • Landscaping of the Acropolis of Athens
Typologies
  • museum
  • gallery
  • performance venue
  • civic building
  • landscape
  • public space
  • pedestrian infrastructure
Materials

Not recorded yet.

  • stone
  • paving
  • salvaged fragments
Carbon signals

museum, gallery, performance venue, and civic building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Paving, Salvaged Fragments, and Stone look like the main embodied-carbon drivers in the current palette.

  • Paving
  • Salvaged Fragments
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Use classification and product-level EPD research to place this material more precisely.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.