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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

D. T. Suzuki Museum in Hondamachi, Japan
D. T. Suzuki Museum

2011 · Hondamachi, Hondamachi, Japan

D. T. Suzuki Museum image

Building in Ishikawa Prefecture, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

D. T. Suzuki Museum

Hondamachi, Hondamachi, Japan · Exact work coordinates

OpenStreetMap
Field
D. T. Suzuki MuseumD. T. Suzuki Museum

2011 · Hondamachi, Hondamachi, Japan

Typeworkbureau
Year / years2011Unrecorded
PlaceHondamachi, Hondamachi, JapanDoha, Qatar
Place contextHondamachi, Hondamachi, JapanRepresentative site: St. Louis, St. Louis, United States
Climate18°C · 13.3h daylight · 6 km/h wind15°C · 13.4h daylight · 9 km/h wind · via Saint Louis Art Museum
FocusMuseum13 works in corpus
Architects
  • Yoshio Taniguchi
  • David Chipperfield
Linked context

Bureaus

  • Yoshio Taniguchi and Associates

Notable works

  • Saint Louis Art Museum
  • Foundation E. G. Bührle
  • 1 Cobham Mews Studios
  • Ciutat de la Justícia de Barcelona i l'Hospitalet de Llobregat
Typologies
  • museum
  • landscape
  • museum
  • landscape
  • office
  • building
  • house
  • gallery
  • hospitality
  • hotels
Materials

Not recorded yet.

  • stone
  • glass
Carbon signals

museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Glass and Stone look like the main embodied-carbon drivers in the current palette.

  • Glass
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible7 of 7 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.