| Type | work | bureau |
|---|
| Year / years | 2017 | 1911 |
|---|
| Place | Hamburg, Hamburg, Germany | Stockholm, Stockholm County, Sweden |
|---|
| Place context | Tube, HafenCity, Quartier Am Sandtorkai/Dalmannkai, Hamburg, Deutschland | Representative site: Gamla Brogatan, Norrmalm, Klara, Stockholm, Sverige |
|---|
| Climate | 7°C · 13.8h daylight · 9 km/h wind | 5°C · 14.2h daylight · 11 km/h wind · via PUB (Stockholm) |
|---|
| Focus | Concert hall | 2 works in corpus |
|---|
| Architects | - Jacques Herzog
- Pierre de Meuron
| |
|---|
| Linked context | Bureaus | Notable works - PUB (Stockholm)
- Ludvika Town Hall
|
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| Typologies | - concert hall
- adaptive reuse
- cultural building
| - building
- house
- church
- sacred space
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | building, house, church, and sacred space gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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